"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

A socially conscious monster movie in which zombies symbolize society's disadvantaged and oppressed.

The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.

حوالي عام 1980، في تونس، باع سي بشير، وهو حرفي قديم، منزله وغادر مدينة تونس القديمة مع عائلته ليستقر في مدينة جديدة على مشارف العاصمة. يكتشف الرجل العجوز مع ابنه علي وابنة أخته عزيزة أسلوبًا جديدًا للحياة في تونس التي تشهد تغييرًا كاملاً. تصادق عزيزة الممثلة الشابة عائشة، بينما يستمر علي بالفشل في أعماله الصغيرة. وصول شيخ من الخليج الفارسي سوف يغذي كل الرغبات في المدينة، بما في ذلك رغبات علي. لكن الحلم لم يدم طويلا.

Recording of the play 1789, a collective creation by Théâtre du Soleil at La Cartoucherie de Vincennes in 1970, edited from several shows.

Film about an unemployed, socially handicapped bachelor who lives in a very small world. For his birthday, his mother gives him a young dog. The touching pup brings about a pleasant change in his lonely life. But the growing up of the small dog forces him to make a radical choice.

This quickly-filmed avant-garde farce by prolific director Raul Ruiz features an insomniac (Michel Lonsdale) whose main preoccupation is surreptitiously watching private matters -- he is a voyeur. He and an equally disreputable acquaintance rape a woman alongside the Seine, a crime made all the worse because she is pregnant. The rest of this slow-paced film deals with the consequences of that action.

The maple leaf on the Canadian flag turns into two profiles that illustrate the many relationships between people.

A feverishly perverse 1969 film noir oddity starring female impersonator Akihiro Maruyama. When wealthy Kyohei hires transvestite singer "Black Rose" to perform in his exclusive men's club, he gets more than he bargains for when she attracts scores of homicidal past lovers. The film takes a bizarre twist when Kyohei's son falls victim to the femme fatale's unique charm.

An electronics expert searching for evidence of aliens picks up signals that he believes are from an alien spacecraft--and they are coming from a lake near town.

1959. Guilty of a double-murder, a man is beheaded. At the bottom of the basket that just welcomed it, the head of the dead man tells his story: everything was going so well! Admired priest, great lover - his earthly paradise seemed to have no end. Inspired by a scandal surrounding the Priest of Uruffe in the 1950s.

A woman travelling on the underground is bedeviled with images of desire. What She Wants – wholly created on an Amiga 1500 home computer – is a film about sex and shopping, the social deployment of sexuality, and capitalism in detumescence.

Brain scientist Professor Richard Davidson sets up his mind to conduct an unusual experiment: He will teach American war veterans and children meditation and yoga. Can veterans through meditation and yoga ease their pain and nervous system, find happiness and be more peaceful and get back to a life more like the one they had before the war?

On the streets, people wander loose, almost free from any attachment like astronauts in space. From that analogy comes 'Moon Street'. While to the spaceships the moon works as reference, in Porto Alegre some cosmonauts find their north on Garibaldi street. Taking over professor's Edward Nkoloso dream and his Zambian space program, this documentary tries to bring the moon and the street together, claiming for a democratic space (urban and cosmic), away from the domain of powerful countries and avenues. How do the urban cosmonauts perceive the stars? The dispute? The dream? Neither USA, or Soviet Union, we searched for space through the free eyes of the forgotten, and many times invisible , street astronauts.