Moemi is not overly pleased when Yukio brings home a couple of turtles to keep her company. Although Yukio works at home as a writer, Moemi feels neglected and desired a dog or a cat, but neither is allowed in their apartment.

A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.

Six escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.

يصبح فليتش الساحر والمزعج إلى ما لا نهاية المشتبه به الرئيسي في قضية قتل أثناء البحث عن مجموعة فنية مسروقة. الطريقة الوحيدة لإثبات براءته؟ تعرف على أي من قائمة طويلة من المشتبه بهم هو الجاني - من تاجر الفن غريب الأطوار ومستهتر مفقود إلى جار مجنون وصديقة فليتش الإيطالية.

Monika lives with Rob, a corpse she loves. Her dilemma intensifies when she meets Mark and considers a normal life with him. She must choose between her affection for Rob and a new relationship.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

A pioneering ceramic artist Clarice Cliff roares to prominence in the 1920s while working in Britain’s Stoke-on-Trent pottery industry.

This video release by Depeche Mode features almost an entire concert from their 1993-1994 Devotional Tour, filmed in Barcelona, Liévin and Frankfurt.

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

While on vacation at a resort hotel in the West Indies, Miss Marple correctly suspects that the apparently natural death of a retired British major is actually the work of a murderer planning yet another killing.

يقوم محامٍ ذو ماضٍ عسكري بمطاردة العصابة التي قتلت زوجته وشقيقه وأخذت ابنته

3 friends document their next case in hopes of winning a national competition to win their own paranormal investigation television series.

In her first-ever HBO solo special, Sarah Silverman takes the stage for an evening of adults-only stand-up comedy. Taped live in front of an intimate audience of 39 fans at Largo, a music and comedy club in Los Angeles, Sarah Silverman: We Are Miracles features Silverman taking aim at such subjects as cell-phone porn, crazy religions, specialty deodorants, terrible roommates, eyebrow waxing, her 19-year-old dog, Obama and Republicans, having babies, Pixar movies, the miracle of existence, and more.

The Venice Hongwanji Buddhist Temple had an opportunity to take part in an episode of East of Main Street, an HBO documentary series that has been produced for the past three years to celebrate Asian Pacific American Heritage Month. This year’s episode, Milestones, focuses on how different groups of Asian Americans mark the milestones throughout their lives.

Feeling unhappy with his gun, Jigen is looking for the world’s best gunsmith. He finally finds out that Chiharu, who runs a watch shop, is the person he’s been seeking. Then, Jigen meets Oto, who comes to Chiharu’s shop looking for a gun. Jigen finds out about Oto's secrets and the mysterious organization that’s after her. After Oto is kidnapped, Jigen gets into a desperate battle to save her.

Hong Kong, 1996. Wang Cui Ying was held hostage by robbers at her wedding and witnessed her husband dying under the guns of bandits. Unable to get out of the haze, she now works in an archery hall. On the night of the typhoon, she accidentally stayed in the building, witnessed the same gang of bandits killing people in it. While escaping from them, she accidentally stumbles upon a blind man, Nan Ge. From that moment, they both try to escape from the bandits, in the building that has turned into a death trap.

The Warwick Rowers Charity Calendar making of films are rightly famous. Shot and edited by a world-class director/editor since 2012, In this second film, in Spain, is shot in an extraordinary private garden that overlooks the Straits of Gibraltar, where the Atlantic Ocean meets the Mediterranean sea. As well as the dramatic and unique location, we are delighted that we were able to bring a total of twelve rowers to Spain this year. The privacy of the garden, the warmth of the Mediterranean summer and the camaraderie between such a large group of rowers make this a film like nothing we’ve made before.

Mobile Suit SD Gundam Mk. II delivers with more tongue-in-cheek humor than the first series. In "The Rolling Colony Affair," a colony is hosting a cabaret show featuring the girls of Gundam. But the show turns disastrous when men and mobile suits go crazy over the girls, sending the colony rolling out of control. A parody of the videogame RPG genre, "Gundam Legend" has Amuro, Kamille and Judau sent on a perilous quest to rescue the princess of the Zeta Kingdom from Char Aznable and his vicious Zeon MS forces.

عندما تتسنى الفرصة لزيكو أن يشارك في مسابقة أذكى طفل في مصر، ينطلق مع عائلته في رحلة على الطريق، ولكن سرعان ما يتعرضون لتحديات عديدة تصعب عليهم الوصول.

Osher, Michelle and Eitan were evicted from their homes as children and transferred to foster care. These are supportive and stable families, but with a specified expiration date - when the boy / girl turns 18. The biological families are in a state of dysfunction and are absent. The film accompanies the three towards the end of the last year as part of the foster care and the first year of independence. The personal relationship that develops between them provides them with a supportive, stable and shaky framework at the same time, similar to that between the drowning person and the straw. Without the protective patronage of the foster care framework that has loosened or expired completely, they are exposed and swayed to the wind when past traumas burned into their minds may erupt and crush at once what has been built, or seemed to have been built, with much toil and torment.