Sapna runs away from her aristocratic home, fed-up of the hatred and family politics. She meets with Raj, who she is attracted to. Raj, at first wants to get rid of her, then eventually falls in love with her. Then the two of them have to be on the run as her family find out where she is after they put up a reward for her whereabouts.

Found in a garbage bin, abandoned by his biological parents, a young man grows up to a paid assasin, kidnapper, and rapist (Anil Kapoor). One of his rape victims' is Jyoti (Juhi Chawla), who is raped on the day of her marriage to a doctor groom. Her life ruined, unwed, she decides to convince her rapist to marry her, and goes to live in his neighborhood. But her rapist will not marry her, however, she continues to pursue her goal, and after feigning a pregnancy she does convince him to allow her to move in with him - amongst ruins, without a roof. She soon starts to transform him, with considerable success. She names him Deepak, so that he has a name others can call him by. Deepak receives a contract to kill Kaameshwari (Rohini Hattangadi) by Jaikal (Amrish Puri).

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

It is a cine comedy following "The Lady from the town". Olga is getting ready to go to a meeting of the district women activists, where she will relate her own experience in the struggle against conservative concepts. During a warm atmosphere, Olga sings the first lullaby to her newborn nephew: "Once upon a time there was an Olga who posed as a lady.Time passed by and the lady has become one of us, a comrade from the country"

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.

Future Stars of Wrestling event from Sam's Town Casino in Las Vegas, Nevada.

A modern retelling of the Samson and Delilah story. A super roadie fights evil bouncers stopping a rock and roll crowd from having a good time. He then falls foul of an evil wench who seduces and cuts his hair in order to take away his strength.

A documentary exploring the making of the third and worst installment of the insanely popular apocalyptic strategy game series Fallout. The Making of Fallout 3 (which sucks) features behind the scenes footage, concept art and was only made available to people who had purchased the collectors edition of the game.

Adela Peeva explores the national origin of a song common amongst a set of countries, and finds that the answer is not as simple as one might think.

After getting roughed up by bullies, a high school student in despair encounters a genie who can turn around his luck — and his fortunes.

Director Garry S. Grant’s insightful documentary celebrates the work and legacy of auteur filmmaker Mario Bava, the grand master of Italian horror and the man known by many as “the Italian Hitchcock.”

Mexican feature film