A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?

A look at the aftermath and global impact of the docuseries `Surviving R. Kelly'

Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.

A woman battles to establish peace between the sexes after her longtime boyfriend falls under the thrall of a Machiavellian schemer, who has murdered and harnessed the virulent powers of a famous kung-fu master, as part of a plan to restore absolute male domination.

Superman's reputation is tarnished when a crook begins committing crimes in a Superman costume.

Ronald Tavel taunts Philip Fagan, who lacks the verbal dexterity to counter the clever spider’s web of words that Ronald Tavel weaves to ensnare him, so that Fagan’s only response is to refuse to respond and stare silently off-screen, turning the screen test into a strange form of psychodrama.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

Leung is the bodyguard of a Chinese Triad boss, Wong, to whom his loyalty is unrivaled. Living in Hong Kong, Wong requests that his bodyguard travel to the UK to protect a young British woman, whose true identity is known only by Wong himself. Even Wong's son, Yuen, is kept in the dark, which leads to a betrayal that threatens to destroy the family and all that his father has worked hard to protect.

Meghasandesam is the story of a common man who has an innate urge for poetry. He leads a simple life, marrying a common villager, with children and respected in society. His life is normal until he finds a lady who is a Devadasi (a village dancer), and she inspires his creativity. As a truly inspired poet, he writes excellent poetry. But the other villagers mistake him as being attracted to the dancer.

A cinematographic poem in the form of variations around the theme of Robinson, a utopian fable freely inspired by Daniel Defoe's novel, which speaks above all of solitude: the immense weakness of today's man in the face of loneliness is no longer that of the hero of the eighteenth century.

After the collapse of the USSR, the fate of the former Soviet Republics and the people living in them developed in different ways. The protagonist of the film, a former citizen of the Soviet Union, and now a citizen of the Republic of Kyrgyzstan, is trying to live with dignity, or rather, to survive in the new post-Soviet reality.

In the 9th century, Emma, a 17-year-old girl, is named Abbess in order to repopulate and Christianize border territories in conflict with the Moors. Upon arriving at the Abbey she will have to overcome the mistrust aroused by a woman determined to fulfill her mission, which will lead her to confront nobles, peasants and the nuns themselves. Despite everything, Emma will show that it is possible to challenge established power structures. Although she will pay a high price to get it...

Like tears in the rain, water is the metaphor for growing pains and so much more in these four tales about young boys coming to terms with a host of emotions for the very first time. These polished productions and festival favourites are brought to you by a host of talented directors from across Germany, Denmark, France and the Netherlands. The short films are: Ocean [Océan] (2013); Go Daan Go! [Daan Durft] (2014); The Boy in the Ocean (2016); Beach Boy (2011).

An emotional misfit named Molly believes she's found love in a drunken one-night stand with a gay-marriage lesbian activist named Mercedes. But once sober, Mercedes discovers she cannot escape the clingy and desperate Molly. As she's about to call upon all of her legal options to rid herself of Molly, Mercedes learns that Molly's father is actually an influential state senator opposed to gay marriage. Seeing this as a golden opportunity, Mercedes convinces Molly to pretend that they are an engaged lesbian couple, though Molly's not at all gay, as a way to drive a stake into the senator's politics. But as Mercedes gets to know Molly's family, she begins to understand who Molly is and why they surprisingly share so much in common.

Suggested by Mama Watta, a legendary water goddess who seduces men into captivity, the film depicts the symbolic encounter of a man and a woman one night on the beach. The two share dreams on the sand but with daylight comes disorientation and death.

After several years of relationship, Iago and Tristan have decided to separate. The afternoon that Tristan is collecting his things to leave the apartment they shared, he receives the unexpected visit of Iago, who was not meant to return until Tristan had left. The uncomfortable reunion between them becomes a distressing experience when Tristan receives a phone call that will change everything.

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.