The film follows the events of the night of February 4, 1992 in Caracas, Venezuela. That night a group of military rebels staged a coup d'etat. Venezuelans found themselves as virtual prisoners. As the coup starts and fighting takes place from a military base which is in the center of the city's most affluent areas, with both luxury high rises and palatial mansions. The area of La Carlota provides a wealth of very interesting, often flamboyant and typical characters of the Latin America upper middle and upper classes. They are among the most affected. Various vignettes in these different characters' homes are developed. These people's reactions, lifestyles, vices, and humanity come out in a very honest fashion under duress.

Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

Cheerful Mimiko has a wonderfully strange family—a Panda for her Papa; and his son Panny, calls her Mom! When Panny follows Mimiko to school, he must pretend to be a teddy bear so Mimiko won't get into trouble. Despite his efforts to behave, Panny causes trouble in school and now the school is after Panny! Then, Panny makes a new friend, Tiny, a baby tiger who's wandered off from the circus.

Russia, January 25, 1725. "Give it all...". The emperor's weakening hand was able to write in his will only these two short incomprehensible words that kept Russia in a bloody struggle for the crown for a century.

Fragments of the approximation between two boys shows the naive curiosity of Celio for Dario, the assumption of Sofia by this approximation and the previous interest of Dario for Celio.

تغوي ممثّلة تعاني من الإدمان امرأة شابّة، تتوق إلى حياة أفضل، بعرض محفوف بالمخاطر قد يمنحهما بداية جديدة… فهل تنجح خطّتهما؟

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Two deranged friends bring along another guy to go on a random murder rampage. They kidnap lesbian lovers and couples and torture them.

Produced using Epic Unreal Engine 5 (Early Access) and MetaHuman Creator, The Eye follows an intergalactic maintenance worker called to repair a drone on a strange planet. While there she encounters a relentless hostile force.

Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.

Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.

Fleetwood Mac reunite for the first time (sans Christine McVie) to record their first studio album in over fifteen years. Follow them as they write and record their album Say You Will from the first day Stevie Nicks walks into the studio to the opening night of their tour. Cameras rolled practically every moment from start to finish. Fleetwood Mac: Destiny Rules captures the ups and downs of a legendary, storied band like no other documentary before.

When mysterious Russian gunslinger Ivan Turchin rides into a small Texas town, he runs afoul of a bloodthirsty outlaw gang known as The Hellhounds. Outmanned and outgunned, the town must put their trust in Turchin to protect them from annihilation at the hands of the bandits. The gunslinger finds allies in the form of Marshal Austin Carter and Sheriff Vernon Kelly, and together the three must make a desperate stand against impossible and violent odds.

In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.

A 1950's mestiza star–trapped inside a television that fell from the sky–dreams up a romantic romp on the rice terraces, with a Bontok Igorot man who does not know how to kiss.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times