"In this work, a library of books stands improbably in a clearing in the forest, symbolising ‘a library of knowledge.’ A lion enters, becoming the guardian of this knowledge but also, representing a mythical, other-worldly creature of the imaginary. The lion is driven away as the library is set on fire. Finally, a young lion returns to the city that emerges from the ashes of the scene. Flowers rise from the burnt ground. In this visionary and poetic video artwork the ‘hidden atrocities’ that take place in this animated painting are suggested rather than explained. It becomes a statement about a collective destruction of the environment, and of generational knowledge and wisdom passed through centuries and across cultures for which we must all atone."

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

An elderly homeless dude lucks into a situation where a young woman's uncle and her boyfriend ask him to impersonate her long-lost father and give her some nurturing parent attention.

Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

An investigative reporter travels to a small European country with the hope of exposing its dictator's family secrets.

Akram is a perfectionist wedding photographer who dreams of finding Miss Right. He indeed finds her in the unlikeliest of places: her wedding ceremony.

The old folks back home in Spain have arranged a marriage for their niece living in Mexico. To side-step their demands, she pretends to be already married, with a male acquaintance who agrees to pose as her husband while her relatives are visiting.

Vishwanath and Jaikishan are two thieves and good friends. When they try to lead an honest life for the sake of their women, Pukhraj turns them against each other and the two become sworn enemies.

Forced to take shelter, a father and daughter break into a farmhouse concealing a twisted monster. Set in the 1970s, Infracktion follows two drifters – Laura and her father, John. Trekking across the moorland late into the night, the two seek shelter in a seemingly abandoned farm house. In the gloom of the house, a twisted horror stirs.

Naan Avanillai 2 (English: I am Not Him) is a 2009 Tamil romantic mystery film directed by Selva. It is the sequel to the Naan Avanillai (2007). Jeevan reprises the lead role, while the female roles are enacted by Sangeetha, Lakshmi Rai, Shweta Menon and Sruthi Prakash and Rachana Maurya. D. Imman, who did the film score for the first part of the film, replaced Vijay Antony as the music director. The film was released on 27 November 2009 to extremely negative reviews

An undercover Army captain links missing gold and murder to a gambler's ghost.

A very skilful young architect from Berlin, Lea Winter, who has a promising career, is pregnant with Klaus Arnheim, her head of department, a long-time lover but married and father of a family. At the announcement of this unexpected pregnancy, of course, he only envisages abortion for Lea. However, the young woman hesitates. On the advice of her gynecologist, she decides to leave Ireland for a few days to think and make a decision without any pressure. She finds there a simple, authentic life and is confronted with another rhythm of life, with other values and with herself.