Inspired by Mickey Guyton’s song of the same name, “Heaven Down Here” tells the story of four disparate people who find themselves stranded in a local diner on Christmas Eve when a snowstorm hits the town. Imani is a widowed mother of two who’s having trouble making ends meet and reluctantly agrees to work the Christmas Eve shift, where she clashes with her boss Dan, who doesn’t exactly embody the Christmas spirit. Felix is a local pastor desperately trying to secure food for parishioners while his faith is challenged by his son's alienation. Clara is a hospice nurse with an obstinate patient and whose daughter is moving away, causing her to question her place in this world. Throughout the evening, these four bicker, bond and unwittingly provide each other with the answer to their respective prayers.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

Cantal is attacked by Puy-de-Dôme. King Thorin cannot face them alone. Accompanied by Bilbon the Hobbit and Gandalf the Wizard, he must roam Cantal in search of allies. Will the villagers of Boisset come to their aid? Will the Lord of Marcolès rally behind their cause? And on which side does the Lord of Aurillac truly stand?

Jagadguru Adi Sankara is a 2013 ensemble cast Telugu biographical-devotional film directed by J. K. Bharavi. It is the cinematic of life of Adi Sankara. The crux of the story forms the clash between Chandaludu and Lord Siva

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

From the very beginning of the design process on the film trilogy, right up to the summer months prior to the release of The Lord of the Rings: The Two Towers, the look of Gollum was ever-changing and developing. Here then is a brief guide through their work, accompanied by some sketches, designs, maquettes and wire frames that ultimately led to the creation of the most striking and believable computer generated character in motion picture industry.

Impressions of the rue Mouffetard, Paris 5, through the eyes of a pregnant woman.

Barbara is a filmmaker who has been working in the prison environment for a few years now. She is preparing a film written and directed by long-term inmates in a prison in the projects around Paris. Twice a week, Barbara goes to the prison where she shoots interviews with the inmates which will serve as a basis for the writing of their screenplay.

Needing to fill the position of general manager of his company, and believing that an executive's wife is crucial to her husband's success, auto industry mogul Gifford brings three couples to New York to size up: Jerry and Carol: he hard-driven and self-reliant, she willing to use her beauty to further her husband's career; Sid and Elizabeth, he ulcer-ridden and torn between achieving success and restoring their troubled marriage, she positive that his job will kill him, but gamely agreeing to play the good wife for the duration; and down-to-earth Bill, whose good-natured Katie fears that his promotion would spell the end of their idyllic familiy existence.

Modeste is a timid watchman at an automobile factory which is run with an iron hand by its owner, Roger Drapeau. One evening, Modeste leaves his post to visit a fairground, where he meets the attractive Aline. Having glimpsed his employer, Modeste makes a hasty return to the factory. When Monsieur Drapeau appears, Modeste explains that it must have been his twin brother that his boss saw at the fairground, a nasty piece of work named Raphaël. Not only does Drapeau fail to see through this unconvincing lie, but it gives him an idea to win a marathon car race. Modeste and Raphaël will take alternate turns in the stages of the race and, because they are so similar, no one will be any the wiser. Unable to admit that he has no brother but afraid of losing his job, Modeste allows himself to be coerced into taking part in the race...

Ahmad and Nuri work in the same bank in Jakarta. Ahmad loves Nuri, but Nuri has set her heart on Yanto from Bandung. Unfortunately, Yanto is attracted to Lila, while Lila is interested in Darso, the brother of Nuri. This five-sided love story becomes more colourful when Lila’s father’s cheque disappears. Then the bank sends Ahmad to investigate the case.

Nina, a young actor, returns to the Ruhr region for her grandmother’s funeral. Tensions surface between her and her mother. The noises of a small town fill the eloquent silences in the complex mother-daughter relationships explored in this endearing film.

In Forest Hills, Queens two loser brothers spend their days hatching poorly-thought-out schemes to rob a neighborhood bad girl in order to pay off a debt to a local bully. They simultaneously date her and quickly begin to fight for her attention all while refusing to get real jobs. All’s fair in love... with Susie Q and her men.

Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.

A couple is pursued by the police and citizens of a city for the crime of having invented love. In every corner of the city, on the walls of the bars, on the doors of public buildings, in the windows of the bus, even that wall ruined through radio ads and detergents in the small shop window, where no one enters the lobby of the railway station which was the home of our hope of escape, a poster denounces our love.

This immersive eight-hour documentary follows workers in a Virginia factory over the course of an entire day, from clock-in to clock-out. Long, unbroken sequences of assembly and fabrication focus on the bodies of African American and Vietnamese American workers, while both mobile and fixed cameras transform their acts into pure movement. Everson’s “shift-film” adjusts the frame on race, class, and labor, celebrating the everyday and imbuing working bodies with new dimensions.