Cristina and Simon are two young graffiti artists who paint the city that they live in. Their restless spirit leads them to defy a criminal gang when they decide to paint the mural of a whale over a threat written in a wall. The love that unites them, their friendship with other artists at La selva- an old house they use as a refuge- and familiar tensions, come together to tell a story where the powerful strength of youth faces fear, violence and the difficulties of growing up.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

John and Barry try to win back their respective girlfriends by reenacting scenes from films by the master of romance, Cameron Crowe.

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

The Option centers on a group of rural women who cut sugar cane and live in ramshackle highway neighborhoods. For many, their only escape to a potentially better life is through prostitution, often with truck drivers.

A solitary man works in a tall office building. The only moment in his drab life that's out of the ordinary each year seems to be opening the birthday card and gift from his mother. Usually it's a tie, but one year it's an accordion. It goes into the closet with his many ties. A year or two later, he discovers what happens to the papers he processes every day. His discovery sends him first to the building's top floor, then to his closet.

A bunch of restless teenagers are constantly trying to find ways to break free from poverty. All day they hang around discos and cafeterias and talking about motorcycles, women, society, etc. Only a few of them have jobs while some others are students. One day they decide to rob a wealthy man since this seems to be their last chance to get their hands on a decent amount of cash. Everything goes fine until they come across another bunch of punks and start fightibg in the streets. All of them get busted and that's when the nightmare starts... They are taken to the prison of Korydalos where they are constantly beaten and tortured by a sadistic warden who calls himself "God" (played by the ultimate god, Nikos Tsachiridis who seems to enjoy this kind of role...). The film goes on showing the filth that they face.

Bizet’s rarely heard opera returned to the Met for the first time in a century on New Year’s Eve 2015, in Penny Woolcock’s acclaimed new production. Star soprano Diana Damrau sings Leïla, the virgin priestess at the center of the story. Matthew Polenzani and Mariusz Kwiecien are Nadir and Zurga, rivals for Leïla’s love who have sworn to renounce her to protect their friendship—and who get to sing one of opera’s most celebrated duets, “Au fond du temple saint.” Nicolas Testé is the high priest Nourabad and Gianandrea Noseda conducts Bizet’s supremely romantic score.

An Amish community rocked by a school shooting, survivors of 9/11, victims of the "troubles" of Northern Ireland and others share their views on how forgiveness has helped to alleviate their grief and resentment in this emotional documentary. Filmmaker Martin Doblmeier explores the spiritual, physical and psychological benefits of forgiveness and includes interviews with Elie Weisel and Vietnamese Buddhist leader Thich Nhat Hanh.

Witness how ZED comes to life in its making-of documentary. Learn how the show became more than its individual pieces. Through the nurturance and cultivation of a sense of community between ZED artists, musicians and technicians, Francois Girard encouraged the show to develop its own arrangement and follow the rhythm of its own heartbeat.