It is the year 2034 AD and Southeast Asia has been in the dark for the last three years, literally, because the sun hasn’t shone as a result of massive volcanic eruptions at the Celebes Sea in 2031. Madmen control countries, communities, enclaves and bubble cities. Cataclysmic epidemics razed over the continent. Millions have died and millions have left.

On December 19th, 1983, the dream was taken away. The most coveted trophy of all time, the Jules Rimet Cup disappeared from the headquarters of CBF, the Brazilian Football Association. Let me explain: every 4 years FIFA holds a Football World Cup. Back then, only a country that won the Cup three times could keep the trophy for good. This privilege was reserved to Brazil when they won for the 3rd time in 1970. The beautiful trophy was kept as a symbol of superiority in the headquarters of CBF, in Rio de Janeiro. “Jules and Dolores” is a pop comedy that tell us the real, preposterous and unusual story behind this theft.

The new film from Sergei Loznitsa (Maidan, The Event) is a stark yet rich and complex portrait of tourists visiting the grounds of former Nazi extermination camps, and a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site.

Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.

David is discharged from the army after serving for 27 years. He returns to his home and family after being distanced from them for years, and tries to find himself in his new civilian life. He believes that, like his friends who retired from the military before him, he too will find his way in some managerial position in the private sector, but he has difficulties adapting to the pace of the “new Israel”, a competitive culture obsessed with success and money.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

Inmates at a prison in Rome rehearse for a performance of Shakespeare's Julius Caesar.

During a year, a very content couple approaching retirement are visited by friends and family less happy with their lives.

Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.

A young man washes ashore, his memory gone - but his past comes back to haunt him after he is nursed back to health and his killing ability is needed when he takes on a powerful drug lord.

After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.

One dark night during the early phases of WWII, the Italian Royal Navy submarine Cappellini sinks an armed merchant ship sailing with lights out. At that moment, its commander Salvatore Todaro makes a decision that was destined to go down in history: to save the 26 shipwrecked Belgians who otherwise would have drowned in the middle of the Atlantic Ocean and disembark them at the nearest safe harbor. To make room for them on board his submarine, he is forced to navigate on the surface of the water for three days, visible to the enemy forces and endangering his life and that of his men.

After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.

يبحث عامل منجم شاب وفتاة غامضة عن جزيرة مفقودة منذ زمن طويل، يُشاع أنها تحتوي على ثروات كثيرة.

في مدينة (ديري)، الأطفال المحليين يختفون واحدًا تلو الآخر، تاركين خلفهم أجساد ممزقة أو أشلاء.. بينما في مكان معروف بإسم (The Barrens) تتكون مجموعة من سبع أطفال من خلال لقاءات مرعبة وعجيبة مع مهرج يُدعى (بيني وايز)، ويظل لـ(بيل دينيبروه) ثأر شخصي مع هذا المهرج.. بعد سبعة وعشرين عامًا من لقاءهم مع بيني وايز، يقوم (نادي الخاسرين) بتجميع أعضائه واقتراضهم من حيواتهم الناجحة وأعمالهم لأن (IT) كما لقبونه، عاد من جديد وعادت معه ظاهرة اختفاء الأطفال.

قطب الصحف ، تشارلز فوستر كين ، مأخوذ من والدته عندما كان صبيًا وجعل عنبر رجل صناعي ثري. ونتيجة لذلك ، فإن كل خطوة حسنة النية أو استبدادية أو مدمرة للذات يقوم بها لبقية حياته تبدو بطريقة ما أنها رد فعل على هذا الحدث المؤلم بشدة.

يلعب النجم "بن كينغسلي" دور المحامي المغمور الذي يتصدى للحكم البريطاني في الهند ليصبح بعدها رمزًا عالميًا للتفاهم ونبذ العنف.

تدور أحداث الفيلم حول عائلة عاطلة عن العمل، تُقيم داخل شقة فقيرة، تتغير حياتهم كُليًا عندما يلتحق الابن بوظيفة مدرس لابنة عائلة ثرية، وسرعان ما يصير جميع أفراد اﻷسرة الفقيرة عاملين لدى اﻷسرة الثرية إلى أن يتورطوا في حادث غير متوقع.

يلاحظ أحد جنود مشاة البحرية الأمريكية الواقعي التأثيرات اللاإنسانية للحرب الأمريكية الفيتنامية على زملائه المجندين من تدريب معسكراتهم الوحشي إلى قتال الشوارع الدموي في هيو.

ينقذ جراح من العصر الفيكتوري رجلاً مشوهًا بشدة تعرض لسوء المعاملة من قبل "مالكه" باعتباره مهووسًا بالعرض الجانبي. خلف واجهته الوحشية ، ظهر شخص يتمتع بذكاء وحساسية كبيرين. استنادًا إلى القصة الحقيقية لجوزيف ميريك (المسمى جون ميريك في الفيلم) ، وهو رجل مشوه بشدة في لندن في القرن التاسع عشر.