A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

After her marriage comes undone, Soof has to re-invent herself and get her tumultuous life back on track.

A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.

About a notorious Connecticut convicted rapist.

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

An exploration of the origins of memes, how they spread, and the stories behind some of the most popular “human memes” like Ermahgerd Girl, Overly Attached Girlfriend, and Chocolate Rain Guy.

Sawamura, a contract part-timer dragged into a multi-million yen internet business, and Kamo, an office worker who lavished money on a beautiful club hostess, arrive at Cowcow Finance, the office of black-market lender Ushijima.

8mm work directed by Norihiko Morinaga.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Two Turkish brothers find themselves on opposite sides of the political fence. When one of the brothers is murdered, the boys' father suspects that his surviving son was instrumental in the killing. Celebrated film director Elia Kazan returns to his acting roots in a key supporting role.

A panoramic view over society across ten unfortunate characters whose stories sometimes intertwine.

Two images by unknown authors and unknown times share the war.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.