Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.

Widowed Colonel Khurana, a resident of India, goes to London, accumulates enough wealth, returns to India, opens a private Sanatorium for the insane, and hires his daughter, Tanvi, as one of the psychiatrists'. His second-in-charge is Dr. Sunil. Tanvi looks after patient #36, a woman by the name of Shobhna Mathur, quite lovingly, almost like the mother she never had. Then Shobhna gets well, is discharged and unable to recollect Tanvi's loving care. This does hurt Tanvi, so she decides never to get close to any patient, especially the new patient #36, Anand J. Sharma, who has been admitted by a Court Order. Circumstances do make Tanvi and Anand get close, so close that they fall in love with each other. But her disciplinarian father has chosen a suitor named Karan, and is not willing to take the risk of Tanvi marrying a mental patient, especially one like Anand, who has been arrested and charged with killing his fiancée, Maya.

"Nothing new, but an old thing done over again and done well. Some one has attempted to describe a kiss as "something made of nothing," but this is not one of that kind, but one of those old fashioned "home made" kind that sets the whole audience into merriment and motion, and has always proven a popular subject. It is very fine photographically and an exhibit is not complete without it." -Edison film catalog.

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

Strong-man Eugene Sandow flexes his muscles and strikes a few poses in front of a black background. This was a short film shot by William K.L. Dickson for the American Mutoscope Company and is not the 1894 Edison film shot at the Black Maria.

A woman arrives home after the ball. Her servant helps her undress and bathe.

Special effects film with a train double exposed on the negative, creating a ghostly image.

Unprecedented access to Muhammad Ali's personal archive of "audio journals" as well as interviews and testimonials from his inner circle of family and friends are used to tell the legend's life story.

Using one of the Lumière Brothers' first films of workers leaving the Factory as his starting point, Farocki provides an insight to changes in industrial production, workers' strikes and motion pictures-- via images of workers leaving factories throughout the years.

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

Life on a shelf as a snowman trapped in a snow-globe blizzard can become wearing, especially when you're surrounded by knickknacks from sunnier locales. When the jaded snowman finally breaks free of his glass house, his vacation plans are cut short.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with crimes such as persistent nude swimming, but even more with his teenage daughter, who's trying to impress her rich friends by telling them her father was a millionaire and owned a yacht in the harbor.

بود باكستر هو كاتب ثانوي في شركة تأمين ضخمة في نيويورك ، حتى يكتشف طريقة سريعة لتسلق سلم الشركة. يقرض شقته للمديرين التنفيذيين كمكان لأخذ عشيقاتهم. على الرغم من أنه يضطر في كثير من الأحيان إلى التعامل مع تداعيات زياراتهم ، إلا أنه في إحدى الليالي بقي لديه مشكلة كبيرة يجب حلها.

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

Composer Gustav von Aschenbach travels to Venice for health reasons. There, he becomes obsessed with the stunning beauty of an adolescent Polish boy named Tadzio who is staying with his family at the same Grand Hôtel des Bains on the Lido as Aschenbach.

تَنهارُ جَريمَةُ بَائِعِ السَّيَّارات في ولاية مينيسوتا الأمريكية (جيري لونديجارد) بِسَبَبِ أَفعَالِهِ الفَاسِدَةِ وَأَتباعِهِ وَجُهُود الشُّرطَةِ المُستَمِرَّة التي تَقودها (مارج جوندرسون) الحَامِل.

When Sam Baldwin's wife dies, he is left to bring up his eight-year-old son Jonah alone, and decides to move to Seattle to make a new start. On Christmas Eve, Jonah rings a radio phone-in with his Christmas wish to find a new wife for his dad. Meanwhile in Baltimore, journalist Annie Reed, who is having doubts about her own relationship, is listening in.

A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.