A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.

The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army’s rescue at Noryang Strait.

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.

Internet sensation and old family friend of Aurora Teagarden, Poppy Wilson, has returned to Lawrenceton to start her new embroidery business. But not everyone is happy with Poppy's success when she turns up dead. To find the killer, Roe must follow the unsettling truths that lead her—into the path of the killer.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.

A comedy about a naive young architect and his wild designs for a “New Moscow.” The Soviet censors weren't at all amused and shelved it.

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

A grieving mother tries to contact her recently deceased daughter. The result proves scarier than the grief.

The most crucial aspect of pro wrestling’s salability, its television, is explored. The man who wrote WWE television beside Vince McMahon and Pat Patterson for years, JJ Dillon, joins us to explore the art and science of writing wrestling television. We gave JJ a fictional pay-per-view supercard from the early 90s era and gave him one month of TV with which to advance the angles. See how JJ uses the weekly A and B shows, as well as a Saturday Night Network Special to build up to the pay-per-view at month’s end. He then books the results of that big card. When should a run-in be employed? How to use promos and packages? How does one choose a TV arena? What does it mean politically if Wrestler A makes the save for Wrestler B on TV? JJ shows us how to use just the right amount of exposure fangles for a most effective build-up. The booker’s job doesn’t end there, as we hear about the very delicate practice of employing diplomacy in dealing with the “big egos/TV time” equation.

Lucien Knops (Nand Buyl) is a grumpy old man. When his wife passes away, he moves in with his daughter Gerda. It doesn't take long before tensions rise and Lucien moves back into his old house, claiming that his new lover will move in with him. Gerda is worried that she will miss out on her father's inheritance; even more so when an interesting new woman moves in next door to Lucien.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.