"If You Wanna Use Guitars, Use Guitars…" - A 32-minute short film, entitled Depeche Mode 1989–90 (If You Wanna Use Guitars, Use Guitars), featured interviews with the band, Daniel Miller, Flood, François Kevorkian (who mixed the album), Anton Corbijn (who directed the music videos and did the album's photography/cover), and others. It also includes news footage from the infamous "riot" in Los Angeles, which gave the band media publicity the day before Violator came out.

Tired of selling gag novelties on the street, Daffy tries for the million-dollar reward offered by J.P. Cubish for the first person to make him laugh. But he first has to get past the rich man's haughty butler, and in the process subjects the servant to a Bogart-like grilling.

A troubled young woman hooks up with a money-crazed televangelist and becomes a rich, heavy-metal Christian rock star.

It is a comedy about a young couple – Charlie, a news editor on a private television station, and Dana, the TV owner's secretary. Their story is intercepted by the reality news idea of Slobodan, the owner of the television station where both of them work. Slobodan is in a hurry to start the reality as soon as possible because he owes money to a tycoon and time is running out, and trashy programs generate quick profits. Charlie is reluctant to support Slobodan's idea but Slobodan convinces him it is what the viewers want. Although Slobodan is confident that his idea will generate the needed cash, the tycoon loses his patience. While Slobodan leaves the TV building, two masked men kidnap him and drive off in a van. That is when the twist happens.

A dog leads a detective to a robber's hideout and fetches the police.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema

Waif mouse Jerry, encrusted with snow, peers through a warmly lit window at Tom asleep by the fire in a room full of cheese.

It is one of the earliest of the gay films after Stonewall, and one that refused to see touch, affection, and sensuality only in pornographic terms. The films final scenes use footage filmed in the St. Chapel, Paris, and connect the sensual with the spiritual. The patterns of movement and the inter-cutting align the film to dance.

This story takes place in the suburbs, at night in Madrid. Tomás, our protagonist, is a young 21-year-old actor who asks for a cab back home after going out partying. He is picked up by a driver, and what seems to start as a normal conversation between client and cab driver, begins to take a nuance out of the ordinary.

A wealthy socialite bored with her life meets and falls in love with a struggling songwriter on the verge of leaving New York and quitting the music business.

What would you do if you saw a terrible film and your name was Christopher Ford?

The story of a LGBTQIA+ child told through old images from VHS tapes. The videos were recorded by Vicente's father between 1987 and 1993.

Have you ever felt lonely in a Relationship..., Marriage or Live_In , doesn't matter, when you can't share your feelings with your companion, it is like travelling to an unknown destination with a troublesome partner.

A young woman and her drug addict boyfriend plot to drive the woman's stepmother insane with LSD in a plot to secure an inheritance.

Four soldiers from different European countries (Germany, Greece, Italy and Yugoslavia) find themselves up against a common enemy.

An ironic story that takes a Border Patrol Agent, Angela Rubio through many obstacles and challenges to avoid Immigration. Angela gets hit on the head by a couple of drug smugglers and and is left unconscious. She is helped by an illegal immigrant Don Pablo, who is headed back to Mexico because of lack of work in the U.S. Angela not knowing who she or remembering anything from her past is convinced by Pablo to go back to Mexico. In mist of confusion she thinks she is an Illegal alien. It only gets more confusing when she and Don Pablo cross back to the U.S. in search of a better life and start running from the U.S. Border Patrol.